Critic's Notebook: A Lack of 'Common' Courtesy

Appeared in the Feb. 22, 2007, edition of Recess, the weekly arts and entertainment section of Duke University's independent daily newspaper, The Chronicle.

Almost every year in recent memory, Duke students have found a reason to complain about the bands selected to perform on the Last Day of Classes. Invariably, the moans and groans center on some claim that the artists are either second rate, past their prime or some combination of the two.

But with the news that rapper Common--one of this year's performers--blasted Duke lacrosse players at a concert at Emory University last spring, two days after then-sophomores Collin Finnerty and Reade Seligmann were indicted, student disapproval has taken a whole new form. Current and former students have called his words irresponsible and offensive, and a Facebook group called "Keep Common out of LDOC" has 133 members.

During a freestyle, Common said, "You know I never get lost, yo f- them damn n-s from Duke lacrosse."

Why all the uproar? What difference does it make what someone said in the heat of the moment at a time when many at Duke were still divided about lacrosse?

Well, for one thing, inflammatory comments by an artist in such a public forum are a dagger driven deeper than accusations confined to private opinion.

"There's definitely a difference between Common saying something at a concert and a random Durham resident thinking something," said Drew Keaton, a sophomore who started the Facebook group opposing Common.

In our culture of celebrity, we tend to hold musical artists to a higher standard than everyone else in terms of their public statements, said Marc Faris, visiting assistant professor of music.

"We assume that once people are famous, what they say must be of greater importance," he said.

Still, if Common is coming here to entertain, can't we put aside his statements about a criminal case and simply enjoy the experience of seeing him perform? A good show is a good show, right?

Tell that to the Dixie Chicks.

The trio was blacklisted from country radio after lead singer Natalie Maines told a London audience she was "ashamed the president of the United States is from Texas" on the eve of the Iraq invasion.

Across the nation, fans boycotted the group's albums as an implicit referendum on the group's anti-war views. And although they picked up five Grammys at last week's awards ceremony, the Chicks' relationship with red-state country music fans remains rocky.

Part of the tension no doubt stems from country listeners' unwavering sense of patriotism.

"[Country listeners are] an opinionated, loyal, down-home, respectful group, and Natalie just isn't fitting into it right now," said Lisa McKay, program director for WQDR-FM 94.7, a Raleigh country station that stopped playing the Dixie Chicks after the 2003 comments.

But the incident also speaks to the powerful impact of musicians' values on their fan base.

Although there may be any number of factors that influence personal music preferences, people listen to certain music partly because it reflects particular social ideals, Faris said. When artists say things that don't fall in line with the image fans have for them, fans can be turned off.

This gets to the core of why many Duke students disapprove of a Common performance at LDOC. His biting criticism of lacrosse players, especially seen in the context of new evidence that has come to light since last spring, erodes his image as a thoughtful, socially conscious hip-hop artist whose values align with those of this University and its students.

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